Hollywood’s fascination with dramatizing real-life events has reached new heights with Netflix’s latest hit film, Woman of the Hour. Directed by and starring Anna Kendrick, the movie explores the chilling true story of Rodney Alcala, a convicted serial killer who notoriously appeared as a contestant on The Dating Game. The film has garnered widespread praise for its compelling performances and gripping narrative. However, as much as audiences have been captivated by the story, many are curious about another key question: How much did the cast of Woman of the Hour earn for their roles?
In this article, we’ll dive into the various factors that shape Hollywood salaries, such as the film’s production budget, star power, and the cast’s previous experience, to estimate the paychecks that these talented actors likely walked away with.
Cast Salaries Breakdown
Anna Kendrick (Cheryl Bradshaw)
As both the star and director of Woman of the Hour, Anna Kendrick would have commanded a significant portion of the film’s talent budget. Known for her leading roles in Pitch Perfect and A Simple Favor, Kendrick’s typical acting fee ranges from $4 million to $8 million per film, depending on the project’s budget and scope. Given her multifaceted role in this production, industry experts estimate that Kendrick earned around $5 million for her acting performance, with additional compensation for her work as director. This figure aligns with the estimated salaries of top-tier talent in Netflix films, where star power often dictates higher pay.
Cheryl Bradshaw
While Sheryl Bradshaw’s role is pivotal but not leading, her involvement in the film is still noteworthy. With her established career, she likely earned between $200,000 and $400,000. This range reflects the general pay scale for supporting characters in high-profile films, particularly in true-crime dramas.
Autumn Best (Amy)
Relatively new to the acting scene, Autumn Best’s role in Woman of the Hour likely earned her between $100,000 and $200,000. Newer actors in supporting roles typically earn less, but Best’s performance likely garnered attention due to the film’s success.
Daniel Zovatto (Rodney Alcala)
Daniel Zovatto, known for his performances in It Follows and Station Eleven, takes on one of the most critical roles as the infamous serial killer, Rodney Alcala. His experience in genre films suggests a salary in the range of $500,000 to $1 million for this significant role.
Kathryn Gallagher (Charlie)
As a Broadway star transitioning to film, Kathryn Gallagher likely earned between $150,000 and $300,000. Broadway performers often earn competitive salaries when moving into film and TV, particularly in supporting roles.
Pete Holmes (Terry)
Pete Holmes, a comedian and actor known for his work on Crashing and The Simpsons, would likely have earned between $250,000 and $400,000 for his role in the film. Comedians with a steady television presence often earn substantial salaries for supporting roles in film.
Tony Hale (Ed Burke)
Tony Hale, known for his work on Veep and Arrested Development, likely earned between $300,000 and $500,000. Hale’s well-established reputation in both television and film ensures his pay is competitive for supporting roles.
Kelley Jakle (Sarah)
Known for her work in the Pitch Perfect series, Kelley Jakle would have earned between $150,000 and $250,000 for her role in Woman of the Hour. Actors with established fanbases in popular franchises tend to command higher pay for supporting roles.
Nicolette Robinson (Laura)
With her strong acting background, Robinson’s earnings likely ranged from $200,000 to $400,000 for her supporting role. Like other veteran actors, Robinson’s pay reflects her experience in both film and television.
Jedidiah Goodacre (Bachelor)
Jedidiah Goodacre, playing a minor role as one of the Bachelors, likely earned between $100,000 and $200,000, a typical range for supporting characters in ensemble casts.
Dylan Schmid (Mario)
Dylan Schmid, an emerging actor, likely earned between $100,000 and $150,000. New actors in small roles earn lower salaries but can benefit from high-profile productions as a stepping stone for future opportunities.
Geoff Gustafson (Casting Director)
In his role as the casting director, Geoff Gustafson likely earned between $150,000 and $200,000. Casting directors are key players in any production, but their salaries can vary widely depending on the project’s budget and scope.
Jessie Fraser (Lisa)
Fraser’s salary likely ranged from $100,000 to $150,000. As an actor with a smaller role, Fraser’s pay would align with the lower end of the salary spectrum for supporting characters.
Matt Visser (Bachelor #1)
Visser’s role as one of the Bachelors would likely have earned him between $100,000 and $150,000. Small supporting roles in ensemble casts typically come with relatively modest pay.
Taylor Hastings (Melanie)
Taylor Hastings likely earned between $100,000 and $150,000 for her role. Similar to other actors in minor roles, her pay reflects her contribution to the ensemble cast, though it remains at the lower end of the scale.
Matty Finochio
As a supporting character, Finochio likely earned between $150,000 and $200,000. While his role isn’t a central one, his experience likely helped secure a decent paycheck.
Michael Jonsson (Harold)
Jonsson, with his smaller role, likely earned between $100,000 and $150,000. Smaller roles often have lower pay but can still be lucrative depending on the project’s prestige.
Tighe Gill (Bachelor)
Gill, portraying another Bachelor, likely earned between $100,000 and $150,000 for his minor part in the ensemble.
Andy Thompson (Bob)
Thompson likely earned between $100,000 and $150,000. His role as a supporting character in an ensemble cast would result in a salary closer to the lower end of the scale.
Darcy Laurie (Marty)
Laurie’s salary would have likely ranged between $100,000 and $150,000. Like other supporting players, Laurie’s compensation aligns with the standard pay for non-lead roles in high-profile films.
Hannah Henney
Henney likely earned between $100,000 and $150,000 for her role. As an emerging actor, her salary would reflect her experience level while benefiting from the exposure provided by such a high-profile project.
Karen Holness (Gretchen)
Holness’ compensation likely fell between $100,000 and $150,000, reflecting her role as a supporting character in the film.
Bonnie Hay (Bartender)
Hay likely earned between $100,000 and $150,000 for her supporting role. Smaller roles in true-crime films like Woman of the Hour can still command a solid salary, especially when the film garners significant attention.
Denalda Williams (Marilyn)
Williams, with her role in a supporting cast, likely earned between $100,000 and $150,000.
John Gillich (Sunbathing Man)
Gillich’s role would likely have earned him between $100,000 and $150,000. Supporting roles in a project of this scale often command similar pay.
Roma Lucero
Lucero, likely portraying a minor character, would have earned between $100,000 and $150,000.
Jacob Woike
As an actor in a minor role, Woike would have earned between $100,000 and $150,000, which is typical for small, supporting characters in feature films.
Rob Morton (George Elliot)
Morton likely earned between $100,000 and $150,000 for his supporting role, a common salary range for actors in smaller parts in ensemble casts.
Thomas Strumpski (Laundromat Owner)
Strumpski’s salary likely ranged between $100,000 and $150,000, reflecting the compensation for supporting roles in a film of this caliber.
John Herkenrath
Herkenrath likely earned between $100,000 and $150,000 for his role as part of the supporting cast.
Max Lloyd-Jones (Ken)
Lloyd-Jones, playing a minor role, likely earned between $150,000 and $200,000. His salary falls within the typical range for supporting characters in feature films.
Marc Gaudet (Head Mover)
Gaudet, with a minor role, would likely earn between $100,000 and $150,000.
David Beairsto (Rodney’s Boss)
Beairsto’s role as Rodney’s boss would have likely earned him between $100,000 and $150,000 for his supporting part.
Nancy Kerr
Kerr’s salary would likely fall between $100,000 and $150,000 for her role as part of the supporting ensemble.
Jason Simpson
Simpson, playing a minor role, would have earned between $100,000 and $150,000 for his contribution to the ensemble cast.
Behind the Paychecks: Factors Influencing Salaries
Salaries in Hollywood are influenced by several factors, including the actor’s star power, experience, and the overall budget of the production. In Woman of the Hour, the combination of Anna Kendrick’s directorial debut and the film's gripping true-crime subject matter likely attracted both established actors and rising stars. Netflix, known for its substantial budgets for high-profile films, would also have a direct impact on the amount available for talent.
Moreover, actors with prior success in television or film can often negotiate higher pay, as demonstrated by the salaries of Tony Hale and Pete Holmes. On the other hand, lesser-known actors in supporting roles typically earn less, though their compensation still reflects the production’s high quality and reach.
Final Thoughts
The paychecks for the cast of Woman of the Hour reflect not only their individual talent and marketability but also the shifting dynamics of Hollywood pay structures, particularly in the age of streaming platforms like Netflix. While these salary estimates are based on industry norms and available reports, they give us insight into the economic side of Hollywood filmmaking, providing a clear picture of how actors are compensated for their performances.
These estimates were shaped by the film’s production budget, star power, and typical Hollywood pay rates, drawing from publicly available information from industry reports and salary breakdowns from Variety and Deadline. While exact numbers are difficult to verify without official reports from the studio or the actors’ representatives, this analysis serves as a close approximation.
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